The hectic history of Edward, eldest son of the King of the Simians, which, considered as too sickly birth, is rejected by his tribe. He grew up away from them, with his friend Ian, and incredibly resourceful, he discovers fire, hunting, modern living, love and even. hope. Generous, he wants to share everything, revolutionizes the established order, and leads his people with brilliance and humor to true humanity. one where you do not eat his father. Why I did not Eat my Father - or 'Evolution Man' to give it its more pithy title - is an animation movie produced by the team who made the Oscar winning animation 'Beleville Rendezvous'. In typical French style - its a bit odd, but unique, imaginative and interesting. Based on the English novel 'Evolution Man' it's about the first ever man to descend from apes - and his on-going rivarly with his ape brother for who will end up dominating the jungle. It's the age old sensitive, bright weakling versus the big, thick thug story - as we see Edward discovering everything from fire to society to weapons of mass destruction - as mankind travels from runt offspring to master of the universe.
A.k.a : Maymun Prens and Pourquoi jai pas mange mon pere
About Why I Did (not) Eat My Father
Artist : Jamel Debbouze, Melissa Theuriau, Arie Elmaleh, Patrice Thibaud, Christian Hecq, Dioucounda Koma, Adrien Antoine, Nathalie Homs, Johanna Hilaire, Enzo RatsitoAs : Edouard, Lucy, Ian, Vladimir, Sergey, Simeon, Vania, Marcel, Gudule, Diego, Hubert
Title : Why I Did (not) Eat My Father Peliculas En Espanol
Release date : 2015-04-08
Movie Code : 1220911
Duration : 98
Category : Animation, Adventure, Comedy, Kids, Family
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Name : Frank Scheck / Alias : Hollywood Reporter
Tyler Perry's winning formula again is on display in the sequel to his crowd-pleasing hit.
Tyler Perry's winning formula again is on display in the sequel to his crowd-pleasing hit.
Name : Tom Huddleston / Alias : Time Out
It becomes clear why Oprah is such a huge Perry fan.
It becomes clear why Oprah is such a huge Perry fan.
Name : Wesley Morris / Alias : Boston Globe
If Perry's cinematic vision remains less than 20/20, his sagacity gets stronger by the movie.
If Perry's cinematic vision remains less than 20/20, his sagacity gets stronger by the movie.
Name : Jen Chaney / Alias : Washington Post
[It] plays like an empty but diverting beach read. Your brain recognizes that the dialogue, for example, doesn't come from any place that remotely resembles relationship reality.
[It] plays like an empty but diverting beach read. Your brain recognizes that the dialogue, for example, doesn't come from any place that remotely resembles relationship reality.
Name : Lisa Rosman / Alias : Time Out
Burdened with a bevy of unlikely plot twists, this is less a movie sequel than the latest installment in a big-screen soap opera.
Burdened with a bevy of unlikely plot twists, this is less a movie sequel than the latest installment in a big-screen soap opera.
Name : Sam Adams / Alias : AV Club
Perry's films are shapeless, but they're crammed to bursting with melodramatic twists, the kind that make the audience gasp as they chuckle. The movie's like an old sofa, overstuffed and misshapen, but so familiar that it gives comfort all the same.
Perry's films are shapeless, but they're crammed to bursting with melodramatic twists, the kind that make the audience gasp as they chuckle. The movie's like an old sofa, overstuffed and misshapen, but so familiar that it gives comfort all the same.
Name : Elizabeth Weitzman / Alias : New York Daily News
It's nice to have things we can rely on in this unpredictable life, and among the most reliable of all are Tyler Perry movies.
It's nice to have things we can rely on in this unpredictable life, and among the most reliable of all are Tyler Perry movies.
Name : Andrea Gronvall / Alias : Chicago Reader
Tyler Perry grounds this sequel to Why Did I Get Married? in his trademark blend of comedy, soap opera, and down-home southern sentiment, though he lets up a little on the moral proselytizing, which aids the digestion considerably.
Tyler Perry grounds this sequel to Why Did I Get Married? in his trademark blend of comedy, soap opera, and down-home southern sentiment, though he lets up a little on the moral proselytizing, which aids the digestion considerably.
Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Terribly shot and crudely assembled.
Terribly shot and crudely assembled.
Name : Michael Ordona / Alias : Los Angeles Times
Not only is Perry in tune with his audience as always, he's unquestionably growing as a cinematic artist.
Not only is Perry in tune with his audience as always, he's unquestionably growing as a cinematic artist.
Name : Mike Hale / Alias : New York Times
Worth mentioning is the queasy dynamic in which the male characters' violent impulses are condemned in theory but, when acted on, seem to be implicitly excused, or at least overlooked.
Worth mentioning is the queasy dynamic in which the male characters' violent impulses are condemned in theory but, when acted on, seem to be implicitly excused, or at least overlooked.
Name : Martin Tsai / Alias : Newark Star-Ledger
Perry sticks with the pedestrian shots and a Lifetime network aesthetic. He doesn't even take advantage of the film's exotic Bahamian setting.
Perry sticks with the pedestrian shots and a Lifetime network aesthetic. He doesn't even take advantage of the film's exotic Bahamian setting.
Name : Peter Debruge / Alias : Variety
Married offers a positive, if melodramatically heightened, portrait of upper-middle-class African-American life, one broadly appealing enough to satisfy even the Nancy Meyers set, if only they'd give it a chance.
Married offers a positive, if melodramatically heightened, portrait of upper-middle-class African-American life, one broadly appealing enough to satisfy even the Nancy Meyers set, if only they'd give it a chance.
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